Development
Generation and Representation of Data and Events for the Control of Sound Synthesis
High Level Musical Control of Sound Synthesis in OpenMusic
Paradigms for the High-Level Musical Control of Digital Signal Processing
omChroma : vers une formalisation compositionnelle des processus de synthèse sonore
Symbolic Control of Sound Synthesis in Computer Assisted Composition
Using the augmented trombone in “I will not kiss your f.ing flag”
OMChroma: Compositional Control of Sound Synthesis
The Control of the Chant Synthesizer in Openmusic: Modelling Continuous Aspects in Sound Synthesis
Chromax, the Other Side of the Spectral Delay between Signal Processing and Composition
Reduction as a Transition Controller for Sound Synthesis Events
Reduction as a Transition Controller for Sound Synthesis Events
Electronic dramaturgy and computer-aided composition in “Re Orso”
Igor Stravinsky: Sinfonia dei Salmi
Bela Bartók: Quartetto per archi n. 4: I e V tempo
Answers to the questionary for «Music today Quarterly» – Japan
Le temps des pionniers
Uno strumento didattico per la musica informatica: il questionario
Les Journées de la composition: la gestion de l’utopie
Artisti italiani nel mondo: Marco Stroppa
Resistere e riflettere
Pensée conceptuelle pensée sensible en musique
![Intervista a Marco Stroppa [by M. Cristina Picciolini]](https://www.marcostroppa.eu/wp-content/uploads/2024/03/13_Picciolini_cover-scaled.jpg)
Intervista a Marco Stroppa [by M. Cristina Picciolini]
![Questions aux compositeurs [interview by Philippe Albèra, 1989]](https://www.marcostroppa.eu/wp-content/uploads/2024/03/89_FestAut_qst-fr_cover.jpg)
Questions aux compositeurs [interview by Philippe Albèra, 1989]
![Marco Stroppa [Questionnaire in “Manifeste Ircam”, septembre 1992]](https://www.marcostroppa.eu/wp-content/uploads/2024/03/92_Manifeste_Ircam-frit_cover-scaled.jpg)
Marco Stroppa [Questionnaire in “Manifeste Ircam”, septembre 1992]
Il connubio fra musica e scienza, ossia da Pitagora al Cemat
Partitura per suoni e byte
Les Chemins de la création contemporaine
Gibt’s was Neues?
Intervista a Marco Stroppa, by Lidia Bramani
Auf der Suche nach formalen Polyphonien Zwischen Musiktheorie und Neurowissenschaft
![Hidinefte [1989]](https://www.marcostroppa.eu/wp-content/uploads/2023/06/Dialogo-con-Maderna.jpg)