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  • JIM2024, Marseille – Keynote lecture

    Laboratoire PRISM 31 rue Joseph Aiguier, Marseille, France

    Keynote Marco Stroppa «Journées d'Informatique Musicale» 2024, GMEM – Centre National de création musicale, Marseille Laboratoire PRISM (campus CNRS, 31 rue Joseph Aiguier, salle de conférences Pierre Desnuelle)

  • “Ecrire avec l’informatique” – Seminaire “Pourquoi écrire la musique?” (2025)

    Ircam, Salle Stravinsky Place Igor-Stravinsky, 1, Paris, France

    Conference "Ecrire avec l’informatique” Jean-Louis Giavitto, CNRS Research Director, computer music programmer Marco Stroppa, Composer   Conference within the Seminar "Pourquoi écrire la musique?”, organised by David Christoffel, Julien Labia, Philippe Manoury, Yan Maresz, Véronique Verdier et Charles-David Wajnberg. "Pourquoi écrire la musique?” Seminar co-organised by the STMS laboratory (Ircam, CNRS), in partnership with the […]

  • Lucerne Festival, Summer Festival 2025 – La vita immobile, Spirali

    KKL Luzern, Lucerne Hall Hirschmattstrasse 13, Lucerne, Switzerland

    Introduction to the Concert Irvine Arditti and Marco Stroppa in conversation with Mark Sattler (in English and German | KKL Luzern, Auditorium) La vita immobile, for string quartet (swiss premiere) Spirali, for string quartet projected into the space (swiss premiere) Other works by Pierre Boulez   Arditti Quartet Marco Stroppa (sound projection)   Portrait Boulez & Stroppa […]

  • Lucerne Festival, Summer Festival 2025 – New Work for accordion and electro-acoustic totem

    KKL Luzern, Lucerne Hall Hirschmattstrasse 13, Lucerne, Switzerland

    Introduction to the Concert The composers in conversation with Mark Sattler (in English | KKL Luzern, Lucerne Hall)   New work for accordion and electro-acoustic totem (world premiere) commissioned by Lucerne Festival with support from the Fondation Pierre Boulez   Other works by Pierre Boulez, Charles Kwong (world premiere), Wei-Chieh Lin (world premiere), Piyawat Louilarpprasert […]

  • Lucerne Festival, Summer Festival 2025 – Come Play with me

    KKL Luzern, Lucerne Hall Hirschmattstrasse 13, Lucerne, Switzerland

    Introduction to the concert Marco Stroppa in conversation with Mark Sattler (in English)   Come Play with me, for solo electronics and orchestra (world premiere of the new version)   Other works by Pierre Boulez   Ensemble of the Lucerne Festival Contemporary Orchestra (LFCO) David Robertson, conductor Participants in the Contemporary- Conducting Program conductors Marco […]

  • Shangyin Opera House – Keynote lecture

    Marco Stroppa Composer in Residence at the Shanghai Contemporary Music Festival 2025   Lecture by Marco Stroppa: «From Traiettoria to Re Orso across Hiranyaloka: a compositional path with orchestras, space, sound synthesis, cognitive sciences, poetry and expressivity”. In English with Chinese translation SHANGYIN Opera House, Chinese Music Rehearsal Hall

  • Rencontres : Musique /Création / Théorie 2025. L’écart : faire musical / faire politique

    Université Paris8 2 Rue de la Liberté, Saint-Denis, France

    Rencontres : Musique /Création / Théorie 2025. L’écart : faire musical / faire politique 27 novembre 2025 10h30 - Jean-Paul Olive : La musique informelle entre deux forces : inconscient et technique 11h15 - Hiroyo Morooka : L’écoute dialectique chez Helmut Lachenmann : le sujet en devenir 12h - Luc Deduytschaever : Entre exotisme et syncrétisme : le “faire” musical japonais […]

  • Il controllo compositivo della sintesi del suono – Fondazione Prometeo

    Casa della Musica Piazzale San Francesco, 1, Parma, Parma, Italy

    Conference "Il controllo compositivo della sintesi del suono: prospettive e prossime sfide" Nel mondo della musica strumentale, i ruoli del compositore e dello strumentista sono distinti. Con la musica elettronica, invece, è difficile separare dove finisce la composizione e dove comincia lo strumento. A partire dall’inizio del XXI secolo, l’accelerazione della memoria e della velocità […]

  • Le pari sur Michaux : Poésie pour pouvoir – Ircam

    Ircam, Salle Stravinsky Place Igor-Stravinsky, 1, Paris, France

    Conference "Le pari de l’oeuvre de Henri Michaux • Poésie pour pouvoir" Rencontre avec Lorraine Dumenil professeur d’histoire et de théorie de l’art Marco Stroppa compositeur Carlo Laurenzi compositeur et réalisateur en informatique musicale Dans Poésie pour pouvoir, Pierre Boulez esquissait dès 1958 les contours de Répons et de son espace sonore éclaté. Deux orchestres […]