Electronic dramaturgy and computer-aided composition in “Re Orso”
Jean Bresson
Jean Bresson, Carlos Agon, Gérard Assayag
The OM Composer’s Book
Editions Delatour France, Ircam-Centre Pompidou
Paris
2016
Vol. 3
301-320 (20)
English
Techincal-scientific article in a miscellaneous work
Writing and performing music
Musical dramaturgy, vocality, voice synthesis, patches, Om Chant
Re Orso
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